Pleasure and pain

Yesterday I got the go ahead to announce that I have signed contracts with Dark Regions Press. They are an invitation only press who approached me a few weeks ago, inviting me to submit some of my work. For those who don’t know, DRP are an award winning press who have been publishing since 1985. The upshot was that I have now signed a contract for a novel that I am currently working on and another contract for a lettered deluxe edition of my previously published short story collection, Voyeurs of Death. This new edition is limited to 26 copies and it includes five extra stories that weren’t in the previous edition, three of which are previously unpublished stories. It will be a hardback, 6''x9'', bound in leather, front cover stamped and spine stamped with the title and the author's name, includes artsy end papers, signature page which is signed by author (me) and artist (Zach McCain), coloured book ribbon with nice full coloured header, 60lb. natural vellum stock, a beautiful slipcase and dust jacket. Being such a limited edition, I hope it will become a real collector’s item for those who purchase it. And of course, I hope they enjoy the stories too. For pre-order details, visit: http://www.darkregions.com/products/Voyeurs-of-Death-by-Shaun-Jeffrey.html



Yesterday I also had another two hour session at the tattooist to continue the updating of my Japanese themed sleeve. He finished off the shading on the back of my arm and smoothed out all the shading that covered up the old tattoo. I’m really pleased with how it’s coming along, but there’s still a way to go yet.

Fangtooth, props and tattoos

Now anyone who’s followed me for a while knows that I have a manuscript called Fangtooth that I’ve had accepted for publication twice, and both times I’ve withdrawn it for one reason or another. Well I’m pleased to report that it’s been accepted for publication again, this time with the publisher of The Kult and Deadfall. Yes, I’ve just signed a contract with Leucrota Press for it. Hopefully it’s third time lucky. When I get the green light, I’ll post a picture of the cover. The tag line: There’s something in the sea. Something ravenous.

As for the film, a post has been made in The Kult film update about props. I hadn’t really thought about them before, but the article makes me realise how important they are, right down to a tiny thing like a pill bottle! Please feel free to check it out and let me know what you think: http://gharialproductions.com/projects/the-kult/the-filmmaking-process-props/ I’m planning on flying out to see some of the shoot, so I’m just waiting on a schedule so that I can make arrangements. Really looking forwards to it.

As a celebration of all that’s happening, and as a reminder that dreams can come true, I’ve booked an appointment with the tattooist for July 30th (day after my birthday for anyone who wants to buy me a present;)). I’m having my full sleeve done, combining the tattoos that I already have on one arm. I’m planning on a Japanese theme of samurai and koi. The tattooist I’m going to is one that I used to visit 25 years ago, Kev Shercliff of The Midlands Tattoo Centre. There’s a sample of some of his work here: http://www.midlandstattoocentre.com/gallery.php?a=kevs

On the reading front, I’m currently delving into two books: Zombie: An Anthology of the Undead by Christopher Golden and The Strain (The Strain Trilogy, #1)
by Guillermo Del Toro. Highlights so far in the Zombie antho have been Tim Lebbon’s ‘In the Dust’ and Jonathan Maberry’s ‘Family Business’. Lebbon has crafted a poignant story that pulls at the heartstrings, and Maberry has crafted a hauntingly realistic world in the zombie aftermath. The Strain has its moments, but I’m finding the factual interludes distracting as they drag me out of the plot, but it’s well written and engaging when it concentrates on the story.