Sunday, February 27, 2011

We're all going to the zoo tomorrow - well, we went last week anyway!

It’s been a strange week book wise, but nothing that I can talk about at the moment. All I can say is that there’s good news and bad news.

One thing that I can announce is that the trade paperback version of the new edition of Voyeurs of Death from Dark Regions Press is now available, and the first 100 copies are signed: http://www.darkregions.com/products/Voyeurs-of-Death-by-Shaun-Jeffrey.html

Aside from writing, we had a trip to the zoo last weekend. My feelings towards zoos are torn. On one hand, I don’t like seeing animals in cages, but on the other I know that some of these animals would now be extinct if they weren’t kept this way. Anyway, here are a few photos:












Wednesday, February 16, 2011

The essence of horror?

I was reading this review of my novella, Dead Man’s Eye (http://bookaholicdoesblogging.blogspot.com/2011/02/review-dead-mans-eyes.html) and it started me thinking about what the essence of horror is. Obviously this reviewer was turned off by the fact that people died, and she felt awful for the protagonist being in such dire circumstances. Now it’s not a bad review at all, just not that reader’s cup of tea for the reasons mentioned, but what is horror supposed to do? According to Wikepedia: “Horror fiction is a genre of literature, which is intended to, or has the capacity to frighten its readers, inducing feelings of horror and terror.”

So I guess in that respect the piece has achieved what horror is supposed to do as said reviewer obviously felt something for the protanonist to feel depressed by what happened to her. If the reviewer hadn’t felt anything for the main character, then the story wouldn’t have carried any weight, so in that respect the story has succeeded. But what do you as a reader think of horror fiction? Should stories have happy, upbeat endings? Do you mind seeing characters die?

Tuesday, February 15, 2011

Help needed from readers.

As a writer it’s hard to know what does or doesn’t work where trying to promote books is concerned, and so I would really appreciate it if anyone who has bought one of my books could let me know where they heard about it and what made them decide to purchase a copy. If you don’t want to post on a blog, please email me as I’m really interested in knowing what works and what doesn’t where promotion is concerned. Thanks in advance.

thekult_4(at)hotmail.com

Sunday, February 13, 2011

Taekwondo, Dead Man's Eye, concentration and a guest blog

Well my son and I took our latest Taekwondo grading yesterday, for our red stripe belt. Won't know how we did until next Friday, but I think it went well, apart from the aches and sprains I have this morning. I was sweating buckets during the sparring, but as I was the oldest person grading, I have an excuse.















It's great to see that people have been purchasing a copy of my novella, Dead Man's Eye via Amazon. On Amazon.co.uk it even managed to give me a nose bleed when it reached number 10 in the Kindle horror charts, so thanks to everyone who bought a copy. I really appreciate it. By the way, the price on Amazon.com is now only $0.99 (£0.70 on Amazon.co.uk):

Amazon.co.uk
Amazon.com

On the writing front I've been making progress with my latest novel, even though there are a few sticky patches (and no, that's not a sexual innuendo). One problem I have is concentration, as I'm easily distracted by wanting to surf the net, check emails etc, so something that's helped in this respect is a free app called Focus Booster, which is basically just a countdown clock that you have to work to: http://www.focusboosterapp.com/

And lastly, for anyone interested I have a guest post up at the following blog. Hope you check it out: http://darlynandbooks.blogspot.com/2011/02/guest-post-author-shaun-jeffrey.html

Saturday, February 05, 2011

New Dead Man's Eye cover. Please help me choose

As I didn't like the Dead Man's Eye cover, I've been playing around with some new ones and would like to hear which one people prefer (if any), and more importantly, which one would make you purchase a copy of the book if you saw it. The basis of the story is that after receiving a corneal transplant, a young woman starts seeing strange shadows around people who have been possessed by demons.

This is the original one:




















And the following are the new ones:





Monday, January 31, 2011

Promotion

Promotion, or more importantly self-promotion is a very sticky subject. Everywhere that people can post about their books, they do. I don’t have a problem with this. Hell, I do it myself in certain places, so can hardly complain. In their (and my) defence, if people are annoyed by the posts made, they can simply choose to ignore them. I’m not sure how much good posting on message boards does anyway to be honest, because most of the people promoting/reading on these sites are other authors, and other authors are notorious for not actually buying books. I on the other hand buy too many!

But what else is a struggling author supposed to do to promote their work? It’s easy for certain people to say ‘if it’s any good people will find it and buy it.’ To my mind that just doesn’t happen, because ‘how’ do people still find the book? They still need to hear about it. That’s why I appreciate anyone who takes time to review my work, whether they like it or not. I also appreciate anyone who posts anything about my work in messages or on forums etc. It all helps a tremendous amount.

There are lots of other things people can do to help authors too. Click on the ‘tags’ on Amazon which will help get the book higher in the searches for those words. If there’s a Facebook ‘like’ link on a review or on an Amazon page for a book, click on it to share it with your friends. If you post a review because you’ve enjoyed a book, cross post to different book seller sites, such as Amazon, Barnes & Noble etc. If you have friends that read, tell them if you’ve read something great. Believe me, everything, no matter how small, helps.

So are there any other ways to help promote books? How do you help? Do you hate all the self promotion? I would love to hear your views.

Film reviews

I watched a couple of films this weekend, The Last Airbender, Psych 9 and Inception. These are my thoughts:


The Last Airbender follows the adventures of Aang, a young successor to a long line of Avatars, who must put his childhood ways aside and stop the Fire Nation from enslaving the Water, Earth and Air nations. Based on a cartoon, the story line was contrived, and the acting was pretty dire, but the special effects made it watchable and it kept my son entertained. 4/10


Psych 9 was a low budget film about an unstable woman working alone at night in a recently closed hospital, where she witnesses events that may be connected to a string of murders. The actors didn’t bring any real depth to the story, and the relationship between the protagonist and her husband came across that they hated each other, even though they professed their love. Aside from this, the storyline seemed to jump around and there were numerous scenes that didn’t make much sense. 4/10.


Inception also had a storyline that jumped around, but it was undertaken in a much more stylish way. Like an onion, there were many layers to inception, which concerns a world where technology exists to allow people to enter the human mind through dream invasion. Utilising this technology, a highly skilled thief is given a final chance at redemption which involves executing his toughest job to date: Inception. The film contained some wonderful special effects, but it’s a film you had to watch and listen to very carefully, otherwise you wouldn’t have a clue what was going on. 7.5/10

Friday, January 28, 2011

Voyeurs and Dead Man's Eye

OK, for those who don’t know, the deluxe lettered hardcover edition of my short story collection, Voyeurs of Death is now available and shipping. It’s signed by the artist, Zach McCain and myself:


From monsters to ghosts, Shaun Jeffrey runs the gamut in this new and expanded collection. Herein are found a diverse mix of the sinister, erotic, strange and surreal. From the foreboding alleyways of Venice to a bleak Scottish island, the horror is never far away. A young boy fixes dead things. You can't always judge a man by the cut of his suit, especially when the suit isn't made of cloth. A relaxing cruise is anything but once the passengers start to die, only to then come back to life. And a trip to the past has dire consequences for the future. Now turn the page and join the voyeurs of death.

http://www.darkregions.com/products/Voyeurs-of-Death-by-Shaun-Jeffrey.html

Also, the first reviews have started appearing for Dead Man’s Eye. I appreciate the time people have taken to read and review my work very much. Book bloggers are the best.


Author Shaun Jeffrey has written a dark and brilliant novella. – Fiktshun: http://bit.ly/hcnk1u

I read this in one day as I did not want to put this book down. – Babs World of Books: http://bit.ly/hSZ7TP

I really enjoyed this novella. It grabs you right away and the opening train scene had me actually open mouthed. – Mommy Wants to Read: http://bit.ly/i5BgtK

This horror story is a riveting piece of work. – Grumpy Dan: http://bit.ly/hLpxlT

If you like Thriller/horror and dark novels then I highly recommend this one. – Geeky Girl Reviews: http://bit.ly/es8TOO


I’ve also been working on the description for Dead Man’s Eye as I didn’t think it summed up the story well enough. Here’s what I have now:


Blighted by an eye disease, Joanna Raines undergoes a corneal transplant operation to stop her going blind. The procedure is successful, but in the weeks that follow she begins to see dark coronas surrounding certain people. By turns fearful that something has gone wrong and worried that she’s going crazy, Joanna searches for an answer to the phenomena.

What she finds will change her life forever. The transplant has opened a door in her mind, and the strange coronas are not legacies of the operation but proof that a legion of demons plans to invade the earth!

Now the only thing that stands between the demonic horde and their plot to take over the world is Joanna, a young woman with the power to see them for what they really are.

Seeing is believing.

The demons are real.

Joanna just has to convince everyone else before it’s too late.

*** ***

And as a taster, here is the first chapter:

CHAPTER 1

Joanna Raines looked at the world through a dead man’s eyes.

Through one eye to be precise.

Things were still a little blurry, which was why she felt sure her transplant was being rejected – why else would it feel scratchy and appear red? She shuddered at the thought of a world in darkness if the graft failed, especially now that she could see things a little clearer. The checklist she’d been handed after the operation mentioned various symptoms to watch out for, two of which she had, which was why she’d made the appointment with the doctor.

The musical notes of the tannoy interrupted her thoughts and she listened to the disembodied voice announcing that the train would be twenty minutes late. She peered at her watch, squinting to combat the double vision so she could make out the position of the hands. Prepared for such an event, she had decided to catch the earlier train. Her hospital appointment wasn’t for another hour and a half, so she still had plenty of time to get there.

A chill wind blew through the Victorian station, carrying with it the pungent scent of cleaning fluid that tickled her nose and made her eyes water. Further along the platform, she saw a yellow triangular board, the figure on which she guessed indicated cleaning in progress. She resisted rubbing at her replaced cornea, wary of dislodging it or upsetting the stitches, which although virtually invisible, made her feel a little like Frankenstein’s monster.

Joanna stared up at the lichen coated glass roof overhead. Wan light seeped through, making her feel like she was underneath a pond. Through her new cornea, she saw blurred beams of light arcing down, like biblical rays; through her uncorrected eye, it felt like trying to stare through a dusty curtain, a common symptom of Fuchs’ corneal dystrophy.

At the sound of approaching footsteps, Joanna looked up, squinting. Despite her blurred vision, she could see a large man wearing a red vest top, and as he drew close, Joanna ducked her head, letting her black hair veil her features.

“Damn trains! Always late when you need to be somewhere at a certain time,” the man said as he sat beside her.

Despite the pressure behind her eyeball caused by leaning forwards, Joanna didn’t look up. “It shouldn’t be long,” she said, the words coming out barely more than a whisper, intensifying her insecurity.

“An optimist. I guess you don’t travel by train very often, otherwise you’d be with us pessimists.”

She gazed at her feet, all four of them. Concentrated on trying to correct the view, closing one eye at a time, but it didn’t help, and the replaced cornea actually stung and she started to feel a little giddy and sick.

“You like a stick of gum?” the man asked.

“No thanks.”

“I know, it’s god-awful muck, especially this low sugar shit. If I wasn’t in a bodybuilding competition this afternoon, I’d be eating chocolate. God, I miss chocolate. You don’t realise how much until you can’t eat it. The things we do for our dreams eh.”

Joanna nodded. She knew all about dreams. Had followed hers through college and university where she gained a BA (Hons) in photography before setting up as a freelance photographer, specialising in portraits; then her eyesight started to fail, and the dream faded along with her vision.

“Sorry for rambling,” the man said, “it’s just this fuckin- pardon my French - train, where is it? We’ll probably get some bloody lame excuse about leaves on the line next.”

Joanna heard the man tapping his foot on the ground and drumming his hands on his thighs. She could almost feel the impatience oozing out of him.

Feeling a little dizzy, she folded her arms across her chest and closed her eyes to rest her sight, but the irritation from her replaced cornea caused tears to form. The darkness behind her lids increased her fears about going blind. She couldn’t imagine a world of perpetual darkness.

Someone walked past, pulling something that rattled across the stone floor. She heard a couple of children arguing and an irate mother berating them. She also heard traffic outside and the beat of wings as a bird, probably a pigeon, flew through the station. Then she detected the sound of heavy machinery droning in the distance like a mechanical bee. The whistle of the wind blowing along the platform. And above it all, the man at her side beating out his impatient rhythm like a war beat.

She never realised before how much extraneous noise the ears picked up that the consciousness ignored.

The sudden musical note of the tannoy interrupted her thoughts and the announcer mumbled out an almost incoherent apology for the lateness of the train, and that there was a change, and it would now be arriving at platform two any minute.

“Typical,” the man beside her said as he stood and hurried away to the platform.

Joanna opened her eyes, the tears obscuring her sight even more. She blinked rapidly, aggravating the stinging sensation that felt as though she had a lash stuck on her eyeball. Despite wanting to rub it, she closed her eye and pressed the palm of her hand against the lid to soothe the pain.

She looked up at the sound of the approaching train, the engine’s single headlight like a Cyclopean eye. Through her Fuchs’ eye, she saw the light as a bright ball with needle-like rays radiating out. Through the transplant, she saw at least three bright lights.

When she looked with both eyes, the effect combined to create a distorted image.

Joanna gathered her belongings and made to stand when she heard a shout and what sounded like a hollow drum roll. She looked across the platform and saw a flurry of movement on the stairs leading down to platform two. People jumped aside, and she squinted to combat her distorted vision, recognising what appeared to be a suitcase tumbling down the steps.

The waiting passengers scattered out of the way of the falling luggage, knocking into each other in their haste.

A woman with a halo of blonde hair stepped aside, crashing into the man beside her. He grimaced and reared back, inadvertently knocking into an old woman who dropped her drink. The plastic beverage container exploded like a grenade, splattering hot liquid over the legs of a teenage girl wearing a miniskirt. She squealed and flailed her arms in the air, punching the young man next to her in the nose, and causing him to step into the path of the bodybuilder that had been sitting next to Joanna.

Unable to tear her gaze away, Joanna watched in horror as the man stumbled and then fell over the edge onto the tracks. Someone screamed. The engine driver blew his horn, the hellish sound almost deafening in the confines of the station.

Although it wasn’t going fast, the train wheels squealed against the rails. The man tried to roll out of the way, but he didn’t move fast enough. With sickening precision, the front wheel rolled across his arm.

The train stopped, and a strange silence descended.

Blood gushed from the stump where the man’s arm had been.

Joanna froze, unable to believe what she had just seen. Bile rose in her throat and she fought not to be sick.

She caught sight of movement beside the man and turned her head. Saw what looked like a strange shadow, a black ethereal mass that surged towards the fallen figure and flowed into his body through the ragged stump of the missing limb.

Thinking she’d imagined it, that she was seeing anomalous floaters, Joanna blinked, aggravating the irritating pain from her cornea. She narrowed her eyes, straining to make sense of what she had just seen.

A second later the man moved, his legs twitching. Then he sat up and grabbed the severed limb. Despite the distance, Joanna thought the sliced end looked like a cut of meat marbled with fat and muscle. But strangest of all was that although the man’s arm had been severed, he had what appeared to be a black limb protruding from the shoulder.

The man started to stand, and a strange black shadow surrounded him like a dark phosphorous corona. The nimbus was so black, it looked like an absolute absence of light, as though the man had been carved out of his surroundings.

Joanna covered her face with her hands. Either her eyes were playing tricks on her, or she was going mad …

She shuddered. Maybe there was something even worse than a world of darkness.

*** ***

Available to purchase from the following for $1.99

Amazon.com: http://amzn.to/hvWbCp

Amazon.co.uk: http://amzn.to/dKDwke

Smashwords: http://bit.ly/g6lgRn

Barnes & Noble: http://bit.ly/i4Qzfj

Sunday, January 23, 2011

So where do you think stories come from?

Well I’m a quarter of the way into my new novel, but there’s still a long way to go. I have a very rough outline, but to be honest, most of it is written off the cuff, so what happens in the story and to the characters is a surprise to me too. But that’s what makes (at least for me) the writing process so interesting, because I often feel like I’m an instrument whose sole purpose is to write the story down, but that the story is something that’s already happened. That in some respects it’s real, and that the words that appear on the screen have been channelled through me. I mean, inspiration has to come from somewhere, so who’s to say that in an alternate universe, the worlds and people I create don’t really exist, and that really I’m writing their story, not mine.

Another scenario: The creation of imaginary worlds or fictional universes is often called 'world building', so what if by writing about them, these worlds and people are brought to life in an alternative dimension? If that's the case, the author of the story would be a God who has given life to his creations. Thereby we could be someone's fictional creations. That would mean our God(s) would then be struggling authors too.

I just wish I could create my world in 7 days. And for the record, no illegal substances were consumed or injected while writing this.

So where do you think stories come from?

Sunday, January 09, 2011

The future of publishing

I have a question or two to ask today. Firstly, what do you think of the current climate in publishing? It seems to be going through a radical change, what with the current glut of ebooks. So have physical books had their day? Also, what does the future hold? Do you like reading on ereaders or does paper still win the day? It will be interesting to see how bookshops and publishers fare when so many people have decided to go the indie route. Of course not everything that has been published this way is any good, and it's surprising how many people champion authors that really need to learn how to write properly. They know the basics, but so much of the work I read is comparable to a first draft, and not something that should be out there for everyone to read before it's been through multiple edits, ideally by someone with a keen eye. So with the potential for so much bad/poor writing to flood the market, will readers’ expectations drop? Will they learn to accept what is on offer, or will they become more discerning in what they read? I know I’ve skimmed through numerous samples available to download for free, and read some terrible writing that people, probably friends and relatives of the author are praising to the skies. In my opinion this does a disservice to the author(s) who probably thinks he/she is better than they are and it does a disservice to the reader prepared to shell out their hard earned money on something that shouldn't have been published until it was ready. Constructive criticism would do some of them the world of good, as long as they were prepared to listen. What do other people think?

Friday, January 07, 2011

Review and interview

Today I was lucky enough to have a great review for The Kult appear online, and a great interview has been posted too. I'd really appreciate it if you showed some love and checked them out. And while at the interview page, check out Simon's debut thriller, Tag too:
On 15 March 2110, 6.3 billion people will die.

One man’s vision to make the world a better place.

From a world where the concept of violence has changed, and where personal privacy has been forsaken, comes a tale of conspiracy, love and murder – and the bond shared by brothers.

Interview

Review

Wednesday, January 05, 2011

Newsletter and a free novella


As it's the New Year, I've had a little sort out and I decided to scrap my previous newsletter as I was never happy with it. So I've started a new one, and as a thank you to anyone who signs up, you will receive a coupon to download my new novella, Dead Man's Eye for free in the ebook format of your choice on Smashwords. Just visit shaunjeffrey.com to find the subscription details.

Dead Man's Eye
A corneal transplant does more than correct Joanna Raines sight. It allows her to see something that doesn't want to be seen. Something evil. Something that threatens mankind. The only trouble is that no one believes her, and by the time they do, it might be too late ...

Seeing is believing. Now Joanna just has to convince everyone else.

Wednesday, December 22, 2010

The Crossbow Cannibal in all of us

I was listening to the news yesterday about the Crossbow Cannibal case, when someone was interviewed and said something along the lines of:

"His shelves were packed with books about serial killers, he had dozens of magazines about homicide and his videos were "slasher" flicks.

The walls were hung with Samurai swords blah, blah, blah."

It made me chuckle, not because of his heinous crimes, but because Deb looked across at me. You see, they could have been talking about our house because it's filled with horror books and books on serial killers, I have video slasher flicks, and directly behind us on the wall where we were sitting is my Samurai sword (for the record, I also have a crossbow too). As of writing this, I have not killed anyone. But if I ever do, just remember it's not the horror books that have warped my mind, it's a result of being abducted by aliens. They're after me I tell you.

Sunday, December 19, 2010

Thank you

Well another year’s almost over and as with any year there have been highs and lows. Personal highs have been the filming of my novel The Kult, and my trip over to the States to see some of it being shot (thanks to everyone involved who made me feel so welcome. Just sorry I had to kill some of you off). Then there’s been the publication of my novel, Deadfall, my appearance in Cemetery Dance and my new publishing deal with Dark Regions Press.

So what’s next? Well my next Prosper Snow novel is finished bar a couple of edits, and I’m working on a new novel that I believe has an interesting premise, but I don’t want to talk about it, as doing so will dilute some of the enthusiasm I have for it. When I start writing something, it feels somewhat magical, but if I start telling people what the story is about I end up losing my motivation to write it.

Now I would like to say a massive thank you to everyone who has supported me, either by reading and commenting on my work or by purchasing something I’ve had published (I only hope that those who did purchase something didn’t feel as though you’d wasted your money).

I still have ambitions and lots that I want to achieve, so I’m keeping my fingers crossed. And remember, dreams are like stars. They seem so far away, but just sometimes, we reach them. Don’t ever stop dreaming. And I hope 2011 is magical for each and every one of you.

Sunday, December 05, 2010

Prosper Snow's back - well, almost.

I’ve been hard at work going over my next Prosper Snow novel. I’d finished the first draft, but didn’t like the ending, so I’ve changed it. Now I need to let it percolate a while before I go back to it – and I’ve got some readers going through it to give me their thoughts. The difficult issue with this novel is commenting on what went on in the previous novel without giving too much away for those who haven’t read it. Obviously events from Prosper’s past have shaped him, like they do everyone. But then not everyone’s life is changed by becoming an accomplice to murder!

So to see what people think, I’m posting the first chapter here. But please remember this is an early draft and things can change, so it’s not set in stone.

Prosper Snow. Husband, father, friend, police officer, murderer. Yet again, Prosper is on the hunt for a serial killer, but he’s not alone. A shadowy government organisation that seems to know far too much about his nefarious past is keen to make sure that news of the killings is kept to a minimum. Now Prosper will stop at nothing to find out the how and why.

CHAPTER 1

Murder makes monsters of people. Prosper Snow knew that better than most.
He stared down at the corpse of the middle aged man and grimaced. The man had been butchered beyond recognition. Flaps of skin hung off his cheeks like they had been sliced with razors and rivers of blood pooled in a congealed puddle in the grassy depression by his feet.
Flies buzzed around the corpse. One alighted on the clear fluid that had oozed out of a punctured eyeball. Part of the man’s entrails protruded from slashes in what looked like a pale blue boiler suit, most of the material sodden with blood.
The air reeked of death. Prosper wrinkled his nose and tried to hold his breath, but the white mask he wore as part of his crime scene coverall seemed to retain the smell, making it linger inside his nostrils.
Prosper folded his arms, trying to distance himself from the sickening sight. He listened to birdsong emanating from the elm trees about forty feet away. The sound seemed out of place at such a brutal site.
As the Senior Investigation Officer, Prosper was like the conductor of an orchestra, overseeing all parts of the enquiry and coordinating people from various departments on site, including Scene of Crime Officers, the police surgeon, a coroner, a pathologist and scientists. But there were that many people lingering around it looked as though every nosey bugger from within a ten mile radius had descended. Death attracted people like a grotesque magnet.
“Look, everyone who’s not vital to the case, can you get the hell out of my crime scene before I kick you out,” he shouted, watching as some of those in attendance slouched away.
Since packing in smoking almost a year ago, Prosper had resorted to chewing gum, but the gory sight made the now tasteless piece in his mouth lose its appeal as he imagined he was chewing on a lump of flesh.
He lowered the mask and turned to spit the gum out when he realised he couldn’t contaminate the area. So he swallowed it instead and turned back to the corpse, the paper suit rustling as he moved.
“This is just great,” Mike Holmes snapped from behind the police cordon. He shook his head and ran a hand through his buzz cut as he stared at the body. “What is it with you and death? No wonder they’ve called it Operation Avalanche, because this is going to be a fucking disaster.”
Prosper glared at Mike. He knew he was referring to last years Oracle case in which a multitude of people were murdered, including a police officer, so the last thing Mike probably wanted was to be partnered with Prosper on another murder investigation.
Hell, in the circumstances, even Prosper wouldn’t want to be partnered with himself, but that didn’t make the snide comment any easier to accept.
After a moment, Prosper turned away and stared around the area. Grey clouds scudded across the sky, threatening rain. A cluster of green prefabricated buildings stood in the distance. Most of them looked like industrial units hundreds of feet in length and width. One was surrounded by a high barbed wire fence, while a lorry belching smoke pulled up outside another. The units looked quite new, and were surrounded by trees and architectural features such as small sculptures comprised of cubes. In the middle of the complex sat a large artificial pond with a fountain spraying water into the air.
The spot where the body had been discovered was a grassy area punctuated with evergreen bushes, one of which was splattered with blood like gory Christmas decorations. A small stream flowed near by, the sound of bubbling water counter-pointed by the bird call. The closest building stood about one hundred feet away.
Prosper turned his attention back to the body. It had been discovered by a woman walking her dog. The pile of vomit nearby was an indication of how much the spectacle had affected her before she was taken away for counselling.
Although he wasn’t immune to the sight of blood and gore, Prosper had been closely associated enough that he was less distressed.
At first glance, the victim looked as though he had been attacked by a wild animal, but of course there were no wild animals in the UK capable of doing something like this – at least not unless something like a bear or a large wild cat had escaped from a zoo. The only domestic creature capable of doing so much damage was something like a large dog, or perhaps a pack of them, but while a dog attack would look nasty, the slashes and puncture marks on the man’s body indicated the use of a knife or a sharp implement. But it was the severity of the cuts that was most disturbing. It indicated a frenzied attack with no concern for the victim.
A police cordon had been erected around the corpse, the yellow tape stencilled with CRIME SCENE – DO NOT CROSS fluttering in the breeze. Prosper saw the flash of a camera, making him grit his teeth.
“Make sure they stay behind the barrier,” Prosper shouted to one of the uniformed officers as he saw a young man lift the tape with the intention of approaching the crime scene for a closer look. “And where’s that blasted tent to cover the body?”
“They’re bringing it from the car now,” someone shouted.
Prosper turned towards Mike. “Any thoughts?”
“Thoughts, I’ll give you my thoughts. You and murder are the last things I need.”
Prosper bit his tongue. Although it had been a year since the Oracle debacle, his colleagues would never let him forget. He just thanked God that they didn’t know the true events of that case.
“Look, Mike, someone’s dead. It’s our job to find out the how, why and who, so let’s cut the sarcasm and get on with the job at hand. If you’re not happy about the situation, I can have you replaced.”
Mike snorted loudly. “Do you really think you’d find anyone willing to replace me? If so, then go ahead.”
Prosper rubbed his brow. “I realise you’re not happy about the situation. Jesus, I’m not over the moon about it either. But it’s our job, so let’s be professional about it. Now I want to start canvassing the area to see whether anyone saw anything. Can you arrange that for me?”
Mike licked his lips, glanced at the corpse and then nodded.
“Good. Then hopefully we can catch the bastard who did this and put it to bed.”
He watched Mike walk away, and then turned back to the crime scene. Less than twenty minutes ago, he had been looking forwards to his lunch of ham sandwiches, but the sight of the dead man quenched any hunger pangs.
A forensic pathologist kitted out in a white paper suit crouched down to examine the body and Prosper walked across to see what he could find out.
“Any idea on the time of death?” Prosper asked.
The pathologist looked up and shook her head. “You see the way the victim’s gripping that branch, well it’s probably a result of instant rigor mortis, what’s called a cadaveric spasm. This happens when the person is exerting themselves at the time of death, such as running hard or when a struggle takes place. As a result it makes assessing the time of death more difficult.”
Prosper nodded. Although the mask hid much of her face, he could tell by the sound of her voice and how quickly she spoke that she was excited, that she liked her job.
“Also, the grass around the body was flattened,” she continued, “indicating lots of movement, and judging by the severity of the attack, much of the assault was probably undertaken after the victim was already dead as he wouldn’t have survived for long judging by the wounds.”
Prosper was about to step forwards to have a closer look at the body when he heard the squeal of brakes and he turned to see two black, nondescript four by four vehicles slide to a stop behind the group of spectators.
The passenger door of the lead vehicle swung open and a man jumped down and approached the police cordon. He pulled out a wallet and said something to the officer guarding the perimeter, and then slipped underneath the tape.
Smartly dressed in a dark suit, he stood about 5 feet 10. Of average build, he had medium length wavy brown hair, bushy eyebrows and a condescending look that made Prosper want to slap him.
“Prosper Snow,” the man said.
Surprised the man knew his name, Prosper nodded. “And you are?”
“I’m the person who’s ordering you away from the crime scene, that’s who I am.”
The man’s arrogant, confident tone matched his look and got Prosper’s back up straight away. He bit his lower lip; took a deep breath then regretted it when he got a lungful of the dead man’s aroma. “Under what authority?”
The man opened the wallet and flashed a badge that showed he was part of a branch of MI5, the domestic intelligence agency. Prosper didn’t have time to study it closely before the man snapped the wallet closed and slipped it back into the inside pocket of his jacket.
“Now Mr Snow, if you don’t mind …” He raised his hand to indicate Prosper should leave.
Prosper felt as though he had been blindsided. How did the man know who he was? He cleared his throat. “This is my case.” He knew it sounded petulant, but he couldn’t help it.
“Not any more.”
Before Prosper could respond, his mobile phone rang. He glared at the man for a moment before taking the phone out of one of the self adhesive pockets on the suit and answering. “Chief Superintendent Hargreaves. And how can I help you?”
“Prosper, I’ve just had a call from the Home Office. The case you’re on, drop it, now.”
“Drop it, but sir—”
“No buts, that’s an order. Someone else is taking over.”
Prosper heard a sense of urgency in his superiors voice. He stared at the man opposite. “Who?”
“That’s none of your concern. Now just do as I say and leave.”
Prosper disconnected the call and put his phone away. It didn’t escape his notice that although the body had only been reported less than an hour ago, wheels had been set in motion that took him out of the loop.
But why? What was so special about this victim?
“I take it that was the confirmation you need about my authority. Now, if you don’t mind, I have a job to do,” the man said.
He walked past Prosper and stood staring down at the corpse.
Realising there was nothing he could do about it, Prosper turned to walk away when the man said, “Although there is one way you can still be involved in the case, Mr Snow.”
Prosper halted in his tracks and looked back. The man still had his back to him, staring down at the corpse. “And what does that mean?”
“I want someone like you on my team.”
Prosper frowned. “Your team? You mean MI5?”
“We’re a branch of that agency. But let’s just say we take the jobs no one else can crack.”
“And what do you mean, someone like me?”
“I know all about you, Mr Snow.” He turned and fixed Prosper with an unwavering stare. “The Oracle case. There were certain, how shall I say, discrepancies with your statement.”
Prosper felt the colour drain from his cheeks and his heart did a little flutter. “There were no discrepancies in my statement.”
The flicker of a grin crossed the man’s lips. “Cards on the table, you and I both know that’s not true. You’re loyal. I like that in my operatives.”
Prosper licked his lips. “Look, I don’t know who the hell you are, or what you think you know, and frankly, I’m not interested. As you said, you’ve got a job to do, so I’d suggest you concentrate on doing that.” Without another word, Prosper spun around and started walking away.
“Well, think it over,” the man shouted after him. “I’ll be in touch soon.”
As he reached the cordon, Prosper tore his mask off and took a couple of deep breaths, trying to clear the stench of death from his nostrils. He turned and looked back at the man as he inspected the crime scene. Did he really know damning details about the Oracle case? Prosper shuddered.
“What’s happening? Who are they?” Mike asked as he jogged over.
“Someone higher up the ladder, that’s who they are. And they’re taking over the case.”
“Really? Well anyone would think you were disappointed by the look on your face.”
Prosper took another stick of gum out of his pocket and stuffed it in his mouth. Disappointed! He was far from disappointed. He was terrified.
The Oracle case was supposed to be dead and buried, just like the person Prosper had helped murder.

Tuesday, November 23, 2010

The price is right - or is it?

I’m in the middle of writing two novels, but thought I’d take a quick break and write a blog about the price of books.

I remember a while ago I offered someone a signed copy of The Kult for £5.50, which they seemed okay about, but then I said it will also be another £2 for p & p, at which point they changed their mind. Personally I didn’t think £7.50 for a signed copy was a bad price (it may be a bad book, but that’s another matter entirely). Now my latest news about my short story collection has got me thinking about what people will pay for books, and what makes them decide whether a certain tome will prise open their rock hard grip on all that moola. Voyeurs of Death is a deluxe lettered hardcover edition, priced at $99. Now there are only going to be 26 copies of the deluxe lettered edition printed, so it’s going to be extremely rare, but of course it’s still quite expensive as far as books are concerned. And of course I’ll be the first to admit that my only moment of fame came about when I ran naked through the streets shouting ‘Yee ha, who wants to tame this here cowboy’, so are people going to buy an expensive book from a virtual unknown author with a penchant for exhibitionism? Speculators might buy it in the hope I’ll get arrested for something notorious or perhaps even that I might one day become famous for my writing and not my streaking. Other people might buy it because they, shock horror, like my work. Other people might just have nothing better to spend their money on. While someone else might just like collectible books. So okay, what makes or would make you, the person reading this part with your dosh for an expensive book?

Oh, and for those who want to buy Voyeurs of Death for any of the reasons above, or one I haven't thought about, here's the link: http://www.darkregions.com/products/Voyeurs-of-Death-by-Shaun-Jeffrey.html

Sunday, November 21, 2010

Voyeurs and the clichéd dead

I posted about it before, but the lettered deluxe edition of Voyeurs of Death is available for preorder. There are only 26 copies available, so it could become highly collectible if I get off my arse and make something of my writing. Or I could become famous for some crime or other (perhaps they’ll find the bodies) and the same thing happens, which could be an eaiser route to take. Either way, the people who bought a copy will be onto a winner, and of course I’m sure it will be a great looking book too: http://bit.ly/bwQEH4

And if you buy a copy, until tomorrow, Monday (11/22/2010) anyone who places an order for a Limited Hardcover edition of any of the Dark Regions books will receive one Dark Regions coffee mug of their choice while anyone who places an order for a Deluxe Lettered/Thirteen Hardcover edition of any of their books will have their choice between a t-shirt and a mug from the Merchandise section!: http://www.darkregions.com/news/22/Buy-a-Book,-Get-a-Shirt!.html

Now for anyone who missed it, I had an interview go online the other day. It was fun to do and it would be great if you could check it out. Just remember to come back after checking it out:
http://thegingernutcase.blogspot.com/2010/11/100th-post-interview-with-author-shaun.html?spref=fb

So who’s been watching The Walking Dead? I have, but to be honest I’m not that impressed. The characters seem a little clichéd, and the plot lines do too. This weeks episode supposedly had us believe Merle cut his own hand off with a hacksaw. Was he that dumb he couldn’t cut through the pipe he was handcuffed to? Some people suspect he might have been rescued by the people in the helicopter. Again, what sort of rescuer cuts someone’s hand off when he’s shackled to a rusty bit of metal? I’ve seen other people suggest he’s gone crazy after being left chained up overnight. No shit! The whole thing just seems drawn out too much for my liking. I realise the writers are trying to build their characters (and they’re probably following the graphic comic book that the series is based on, but as I haven’t read it, I don’t know), but to me they are not coming across as natural and more like set pieces in a game of chess that’s afraid to deviate from its path. The clichéd hicks. The clichéd wife beater etc. Or then again perhaps I’m just reading too much into it, but when I saw the week before that our 'hero' was trapped in a tank, you know a bloody tank, designed to enter battle, and he sits there wondering how he's going to escape, and I'm thinking just drive the bloody thing!!!!!

On the writing front, I’m currently nearly a quarter of the way through my latest novel (and hopefully avoiding the clichés). Still a long way to go but as always when you write something, it’s proving to be an interesting journey. What I do like is when you write yourself into a corner, and you think, ‘how the hell am I going to get out of this?’, and then either the answer jumps out at you, or as in my last instance, I reread what I’d already written and discovered that the solution was already there. As I’ve now hit another wall, I’d better get rereading.

Tuesday, November 16, 2010

Pleasure and pain


Yesterday I got the go ahead to announce that I have signed contracts with Dark Regions Press. They are an invitation only press who approached me a few weeks ago, inviting me to submit some of my work. For those who don’t know, DRP are an award winning press who have been publishing since 1985. The upshot was that I have now signed a contract for a novel that I am currently working on and another contract for a lettered deluxe edition of my previously published short story collection, Voyeurs of Death. This new edition is limited to 26 copies and it includes five extra stories that weren’t in the previous edition, three of which are previously unpublished stories. It will be a hardback, 6''x9'', bound in leather, front cover stamped and spine stamped with the title and the author's name, includes artsy end papers, signature page which is signed by author (me) and artist (Zach McCain), coloured book ribbon with nice full coloured header, 60lb. natural vellum stock, a beautiful slipcase and dust jacket. Being such a limited edition, I hope it will become a real collector’s item for those who purchase it. And of course, I hope they enjoy the stories too. For pre-order details, visit: http://www.darkregions.com/products/Voyeurs-of-Death-by-Shaun-Jeffrey.html



Yesterday I also had another two hour session at the tattooist to continue the updating of my Japanese themed sleeve. He finished off the shading on the back of my arm and smoothed out all the shading that covered up the old tattoo. I’m really pleased with how it’s coming along, but there’s still a way to go yet.

Wednesday, November 10, 2010

My blog has been hijacked by Daniel I Russell

Today I have a guest poster in the form of Daniel I Russell as part of his blog world tour, which he’s undertaking in the run up to the release of his novel, Samhane.

Hi Dan, pull up a chair and let’s kick off. Can you give us a bio to let people know a little about your good (or not so good) self:

Hey Shaun.
I’m a horror writer in my twenties (for the next five days, at least!) from Wigan in the UK but I moved out to Australia a few years ago. I’m the science head at the local high school and have three children. I’m also the associate and technical editor at Necrotic tissue and work with Bandersnatch Books. As you can probably tell just from this, I’m a geek with very little personal time.

So how long have you been writing for, and what made you choose horror?

I’ve been writing since about 2004, which doesn’t look like too long, but feels like an age, perhaps because things have changed so much. It’s always been horror for me from day one, be it He-Man when I was four (come on, some of those guys were pretty freaky!), endless horror movie marathons through my teens or now, trying to churn them out onto paper while living a relatively normal and suburban life out in the country. Whenever I try to write something that isn’t horror, it always seems to sneak back in. Like Robert Englund says in New Nightmare, just because it’s a romantic comedy, it doesn’t mean you can’t have a decapitation or two!

Any real life horror stories to share?

We all have to deal with real life horror every day. Thankfully, (and that’s a thanks to you, media!) we’re all pretty much habituated to it now. Touch wood, apart from a few family natural deaths I haven’t had to deal with anything too harrowing. There’s a distinct lack of crazed killers and torture in my life. I’ve had the odd weird and spooky moment, and I think most people have, no matter how much they deny it. I think the closest I’ve come to real life horror was when I worked for a law firm. Some of the injury reports were appalling, knowing that the mangled limb you were looking at was an actual person and not an effect. Plus, some of the files including young children were heartbreaking.

If you were stuck on a desert island, who would you like to be stranded with?

I suppose the answer I’m supposed to give is my son, but never in a million years! How the hell would he survive with me in charge? On a desert island? No, I’d prefer him to be safe and sound at home with his mum. Someone with plenty of meat on them would be handy, you know, in case we ran out of coconuts or something. When it comes right down to it, and simply for survival, I’d have to say Bear Grylls, but I ain’t drinking my own piss.

Aside from writing, you edit for Necrotic Tissue. Has wearing two hats helped or hindered your own writing?

Time wise, severally hindered. If I agree to do something, and other people are depending on you doing that job, it comes before any of my own stuff. So if Necrotic Tissue business is to be done, it gets finished before I open up the latest novel or short story. With the submissions process and then technical edits, yes, it’s a big undertaking four times a year, but I enjoy doing it. Knowing how much work the other staff and I put in each quarter, when I have the finished magazine on my shelf I’m as proud of it as anything featuring my own work. It does help my writing as, with reading so many submissions, I think (hope!) it helps with writing twists. Many, many stories try to include a twist, and it’s educating to see what works and what doesn’t. Oh, and if any potential contributors are reading, if a character turns out to be a vampire or werewolf and that’s the entire point of the story, write something else!

Tea or coffee?

Coffee in copious amounts! I think that you have to have an addictive personality to be a writer. Some like booze. Some like drugs. Some like Tae Kwon Do. I’m a caffeine freak! My writing mug is like a bucket with a handle. Sweet, milky tea is nice on the stomach after a heavy night on the beer.

I imagine as an editor, you see the good, the bad and the ugly of the writing world. Any stories to share?

It’s more the technical and business side of things. You get to learn the game more, and spot the bad players. It’s that title of ‘editor’. What makes an editor? We see so many writers who, after little success, suddenly open their own magazine or ezine. Anything to get their name out there, you know? But if you’re a bad writer, you’re going to be a bad editor. I’ve read work by editors of a few ezines on their sites or blog, and it has been terrible. Yes, you may think that is just my opinion, but incorrect grammar and spelling, bad syntax and shitty composition is not my opinion, it’s simply bad, incorrect writing. To think that these people are, as editors, advising new writers what’s right and wrong, is simply a joke. Add into the mix the number of markets that don’t pay their writers or offer a token payment, and then charge the earth for a copy of the Lulu anthology the writer is in? For me, it’s these used car salespeople of the small press that piss me off the most. Not to say all small press ezines and editors are like this! Most are legit and a pleasure to work with.
On the good side, we receive submissions and guarantee a few comments on why we made that choice. Again, this might just be that editor’s opinion, but as a writer, I always prefer a reason over a form rejection. The good side for us is when we receive emails stating that the writer has taken our advice, submitted it somewhere else and made a sale. Kinda makes us feel we helped and gives us a warm, fuzzy feeling inside.

Having emigrated to Australia, do you see cultural differences with regards genre fiction?

Fantasy seems to be the prevailing spec choice for the genre loving Australian. And vampires. Fucking vampires! The country is still obsessed with the sparkly Bold and the Beautiful. Hopefully when the novelty has worn off, and horror can reclaim some of the shelf space it’s lost, we’ll see a big resurgence. The Australian horror scene is incredibly passionate, a little because I think it knows it has to work hard to make a name for itself against the more established US and UK markets. The magazines I have appeared in over here, namely Andromeda Spaceways Inflight Magazine and Midnight Echo, and the books produced, such as anything from Brimstone Press or Tasmaniac Publications, are top notch. I now count myself as part of the Australian horror scene, and I’m among great and passionate company.

And with that in mind, do you think emigrating has helped your writing?

I live in a lovely little picturesque town in the country of Western Australia. While I now have a family and a more demanding job, the general atmosphere I think has helped. Life is less hectic than when I lived in the UK, and it seems like there’s more hours in the day. Travel broadens the mind as they say, and Australia offers more ideas on characters and settings, as well as things like myths and legends.

Do you prefer subtle horror or more gore?

Variety is the spice of life (full of clichéd sayings today). I used to write gore regularly, but it gets repetitive quite quickly, or at least it feels that way. Blood can only ejaculate so many times. A mix is always better. One of my more successful stories, Broken Bough, which appeared on Pseudopod, has no gore whatsoever, but still has that high tension, whereas readers enjoy Samhane because of its explicit gore. Yeah, twelve of one and half a dozen of the other and I’m happy. At the end of the day, it’s a game of two halves.

What do you think of the state of horror fiction today?

Equilibrium is shifting, and I think the big changes, and it’s been building for a while now, are about to come. Whether this is going to be good or bad for the horror genre, only time will tell. Horror fiction just isn’t fashionable enough for the mainstream at the moment. It’s always been up and down. Hopefully it will on the rise again soon.

What are your aims and hopes for the future with regards your writing?

I’m always aiming for the next step. I think this last one was a big step: work with a good publisher who wants to get your book in the hands of readers. It sounds like common sense, but I guess a good number of people in the industry know different. Working with Stygian Publications, Skullvines Press and Voodoo Press, I know that the editors will be promoting as hard as I will to reach new readers. I think from now on, the aims will pretty much be to increase my readership and continue to produce books they’ll enjoy.

Favourite sexual position?

On, under, to the side, inside, perpendicular or parallel to my general vicinity.

And finally to Samhane. What’s it about and more importantly, where can potential readers find a copy?

The back cover blurb can put it better than I ever could:
"For weeks, I have tossed and turned in my bed in turmoil over whether to publish this. But the people of this town must be warned. Everyone must be aware of the Danger lurking in the dark, waiting."

Samhane. Just a sleepy town in the rolling hills of northern England. A nice place to live.

Few people know the truth.

Donald Patterson travels to Samhane in pursuit of a sadistic murderer and rapist. Unless Donald reaches Orchard House by midnight, his fiancee will be the star of the next torturous broadcast....

Brian Rathbone and his son are already in Samhane, hired by the mayor. Specialist exterminators, their talents have helped to deal with the 'little problems' that have begun to massacre the residents. But as events take a more sinister turn, Brian wonders about the true reason they are there....

Blood and carnage. Pain and suffering. Desire and sweet chaos.

Welcome to Samhane.

The book will be available through Amazon, etc, and direct from the publisher via the magazine store at www.necrotictissue.com later this month. The German edition is available now on preorder at amazon.de and www.voodoo-press.com.

Thanks for taking the time to answer my questions, and good luck with your writing.

Cheers Shaun! Thank you for having me.

Sunday, October 31, 2010

Book signing, readers and an invite out of the blue

Firstly, I’d like to thank those who came to my book signing yesterday at Waterstone’s in Hanley. Thanks me ducks.

Although I write because I obviously enjoy it (why else shut yourself in solitary confinement and conjure monsters and killers), there's a difference between writing for pleasure and selling work to be published. When you write for pleasure, you're writing for yourself, but when you write for publication, readers are the most important thing. If they don’t like what you write, then they won’t read anything else by you and that’s the end of the line where publishing is concerned. So I hope people, on the whole, continue to like what I write, and that they stick with me on what I hope will be an entertaining journey. Everyone who buys my work is taking a chance and spending their hard earned money, and I respect and appreciate that more than you will ever know. Each and every one of you is the greatest.

Now for anyone who would like to see where I write, I have a guest post up at Book Chick City. It would be great if you could stop by and leave a comment (it’s a great site to visit anyway as there are lots of things to read and some great book reviews): http://www.bookchickcity.com/2010/10/all-hallows-eve-where-stories-are-made_30.html

On the writing front, I was invited to submit to an invitation only press, so I’m keeping my fingers crossed that they like what I (sent) send, but it has inspired a new novel idea that I’ve made a start on. So far I’ve not kept to a theme with my novels (one’s about a strange village, one’s a serial killer story, then there’s zombies and mutated creatures), and this one is unrelated to anything else too. I don’t know whether people like themes, but I like variety. I think that if I kept to one subject, such as zombies or suchlike then it could grow a little stale and as an author, I’d only be catering to a niche group. And of course, writing about different subjects also means that if a reader doesn’t like one book, then they might like another, and like I said at the beginning, when you write for publication, readers are the most important thing.

And last but not least, Happy Halloween. Hope everyone has a great night and stays safe.