Sunday, June 20, 2010

Fangtooth, props and tattoos

Now anyone who’s followed me for a while knows that I have a manuscript called Fangtooth that I’ve had accepted for publication twice, and both times I’ve withdrawn it for one reason or another. Well I’m pleased to report that it’s been accepted for publication again, this time with the publisher of The Kult and Deadfall. Yes, I’ve just signed a contract with Leucrota Press for it. Hopefully it’s third time lucky. When I get the green light, I’ll post a picture of the cover. The tag line: There’s something in the sea. Something ravenous.

As for the film, a post has been made in The Kult film update about props. I hadn’t really thought about them before, but the article makes me realise how important they are, right down to a tiny thing like a pill bottle! Please feel free to check it out and let me know what you think: I’m planning on flying out to see some of the shoot, so I’m just waiting on a schedule so that I can make arrangements. Really looking forwards to it.

As a celebration of all that’s happening, and as a reminder that dreams can come true, I’ve booked an appointment with the tattooist for July 30th (day after my birthday for anyone who wants to buy me a present;)). I’m having my full sleeve done, combining the tattoos that I already have on one arm. I’m planning on a Japanese theme of samurai and koi. The tattooist I’m going to is one that I used to visit 25 years ago, Kev Shercliff of The Midlands Tattoo Centre. There’s a sample of some of his work here:

On the reading front, I’m currently delving into two books: Zombie: An Anthology of the Undead by Christopher Golden and The Strain (The Strain Trilogy, #1)
by Guillermo Del Toro. Highlights so far in the Zombie antho have been Tim Lebbon’s ‘In the Dust’ and Jonathan Maberry’s ‘Family Business’. Lebbon has crafted a poignant story that pulls at the heartstrings, and Maberry has crafted a hauntingly realistic world in the zombie aftermath. The Strain has its moments, but I’m finding the factual interludes distracting as they drag me out of the plot, but it’s well written and engaging when it concentrates on the story.

No comments: